Charles Dickens

A long and profound silence ensued, broken only by some change of position on the part of Barnaby, whose eyes were still wide open and intently fixed upon the fire; or by an effort of recollection on the part of Grip, who would cry in a low voice from time to time, 'Polly put the ket--' and there stop short, forgetting the remainder, and go off in a doze again.

After a long interval, Barnaby's breathing grew more deep and regular, and his eyes were closed. But even then the unquiet spirit of the raven interposed. 'Polly put the ket--' cried Grip, and his master was broad awake again.

At length Barnaby slept soundly, and the bird with his bill sunk upon his breast, his breast itself puffed out into a comfortable alderman-like form, and his bright eye growing smaller and smaller, really seemed to be subsiding into a state of repose. Now and then he muttered in a sepulchral voice, 'Polly put the ket--' but very drowsily, and more like a drunken man than a reflecting raven.

The widow, scarcely venturing to breathe, rose from her seat. The man glided from the closet, and extinguished the candle.

'--tle on,' cried Grip, suddenly struck with an idea and very much excited. '--tle on. Hurrah! Polly put the ket-tle on, we'll all have tea; Polly put the ket-tle on, we'll all have tea. Hurrah, hurrah, hurrah! I'm a devil, I'm a devil, I'm a ket-tle on, Keep up your spirits, Never say die, Bow, wow, wow, I'm a devil, I'm a ket-tle, I'm a--Polly put the ket-tle on, we'll all have tea.'

They stood rooted to the ground, as though it had been a voice from the grave.

But even this failed to awaken the sleeper. He turned over towards the fire, his arm fell to the ground, and his head drooped heavily upon it. The widow and her unwelcome visitor gazed at him and at each other for a moment, and then she motioned him towards the door.

'Stay,' he whispered. 'You teach your son well.'

'I have taught him nothing that you heard to-night. Depart instantly, or I will rouse him.'

'You are free to do so. Shall I rouse him?'

'You dare not do that.'

'I dare do anything, I have told you. He knows me well, it seems. At least I will know him.'

'Would you kill him in his sleep?' cried the widow, throwing herself between them.

'Woman,' he returned between his teeth, as he motioned her aside, 'I would see him nearer, and I will. If you want one of us to kill the other, wake him.'

With that he advanced, and bending down over the prostrate form, softly turned back the head and looked into the face. The light of the fire was upon it, and its every lineament was revealed distinctly. He contemplated it for a brief space, and hastily uprose.

'Observe,' he whispered in the widow's ear: 'In him, of whose existence I was ignorant until to-night, I have you in my power. Be careful how you use me. Be careful how you use me. I am destitute and starving, and a wanderer upon the earth. I may take a sure and slow revenge.'

'There is some dreadful meaning in your words. I do not fathom it.'

'There is a meaning in them, and I see you fathom it to its very depth. You have anticipated it for years; you have told me as much. I leave you to digest it. Do not forget my warning.'

He pointed, as he left her, to the slumbering form, and stealthily withdrawing, made his way into the street. She fell on her knees beside the sleeper, and remained like one stricken into stone, until the tears which fear had frozen so long, came tenderly to her relief.

'Oh Thou,' she cried, 'who hast taught me such deep love for this one remnant of the promise of a happy life, out of whose affliction, even, perhaps the comfort springs that he is ever a relying, loving child to me--never growing old or cold at heart, but needing my care and duty in his manly strength as in his cradle-time--help him, in his darkened walk through this sad world, or he is doomed, and my poor heart is broken!'

Chapter 18

Gliding along the silent streets, and holding his course where they were darkest and most gloomy, the man who had left the widow's house crossed London Bridge, and arriving in the City, plunged into the backways, lanes, and courts, between Cornhill and Smithfield; with no more fixedness of purpose than to lose himself among their windings, and baffle pursuit, if any one were dogging his steps.