The completion of the preparations for my breakfast, by relieving the fire, gave her such extreme joy that she laughed aloud - and a very unmelodious laugh she had, I must say.
I sat down to my brown loaf, my egg, and my rasher of bacon, with a basin of milk besides, and made a most delicious meal. While I was yet in the full enjoyment of it, the old woman of the house said to the Master:
'Have you got your flute with you?'
'Yes,' he returned.
'Have a blow at it,' said the old woman, coaxingly. 'Do!'
The Master, upon this, put his hand underneath the skirts of his coat, and brought out his flute in three pieces, which he screwed together, and began immediately to play. My impression is, after many years of consideration, that there never can have been anybody in the world who played worse. He made the most dismal sounds I have ever heard produced by any means, natural or artificial. I don't know what the tunes were - if there were such things in the performance at all, which I doubt - but the influence of the strain upon me was, first, to make me think of all my sorrows until I could hardly keep my tears back; then to take away my appetite; and lastly, to make me so sleepy that I couldn't keep my eyes open. They begin to close again, and I begin to nod, as the recollection rises fresh upon me. Once more the little room, with its open corner cupboard, and its square-backed chairs, and its angular little staircase leading to the room above, and its three peacock's feathers displayed over the mantelpiece - I remember wondering when I first went in, what that peacock would have thought if he had known what his finery was doomed to come to - fades from before me, and I nod, and sleep. The flute becomes inaudible, the wheels of the coach are heard instead, and I am on my journey. The coach jolts, I wake with a start, and the flute has come back again, and the Master at Salem House is sitting with his legs crossed, playing it dolefully, while the old woman of the house looks on delighted. She fades in her turn, and he fades, and all fades, and there is no flute, no Master, no Salem House, no David Copperfield, no anything but heavy sleep.
I dreamed, I thought, that once while he was blowing into this dismal flute, the old woman of the house, who had gone nearer and nearer to him in her ecstatic admiration, leaned over the back of his chair and gave him an affectionate squeeze round the neck, which stopped his playing for a moment. I was in the middle state between sleeping and waking, either then or immediately afterwards; for, as he resumed - it was a real fact that he had stopped playing - I saw and heard the same old woman ask Mrs. Fibbitson if it wasn't delicious (meaning the flute), to which Mrs. Fibbitson replied, 'Ay, ay! yes!' and nodded at the fire: to which, I am persuaded, she gave the credit of the whole performance.
When I seemed to have been dozing a long while, the Master at Salem House unscrewed his flute into the three pieces, put them up as before, and took me away. We found the coach very near at hand, and got upon the roof; but I was so dead sleepy, that when we stopped on the road to take up somebody else, they put me inside where there were no passengers, and where I slept profoundly, until I found the coach going at a footpace up a steep hill among green leaves. Presently, it stopped, and had come to its destination.
A short walk brought us - I mean the Master and me - to Salem House, which was enclosed with a high brick wall, and looked very dull. Over a door in this wall was a board with SALEM HousE upon it; and through a grating in this door we were surveyed when we rang the bell by a surly face, which I found, on the door being opened, belonged to a stout man with a bull-neck, a wooden leg, overhanging temples, and his hair cut close all round his head.
'The new boy,' said the Master.
The man with the wooden leg eyed me all over - it didn't take long, for there was not much of me - and locked the gate behind us, and took out the key.