Charles Dickens

Paul had begun to speculate, in his own odd way, on the subject that might occupy the Apothecary's mind just at that moment; so musingly had he answered the two questions of Doctor Blimber. But the Apothecary happening to meet his little patient's eyes, as the latter set off on that mental expedition, and coming instantly out of his abstraction with a cheerful smile, Paul smiled in return and abandoned it.

He lay in bed all that day, dozing and dreaming, and looking at Mr Toots; but got up on the next, and went downstairs. Lo and behold, there was something the matter with the great clock; and a workman on a pair of steps had taken its face off, and was poking instruments into the works by the light of a candle! This was a great event for Paul, who sat down on the bottom stair, and watched the operation attentively: now and then glancing at the clock face, leaning all askew, against the wall hard by, and feeling a little confused by a suspicion that it was ogling him.

The workman on the steps was very civil; and as he said, when he observed Paul, 'How do you do, Sir?' Paul got into conversation with him, and told him he hadn't been quite well lately. The ice being thus broken, Paul asked him a multitude of questions about chimes and clocks: as, whether people watched up in the lonely church steeples by night to make them strike, and how the bells were rung when people died, and whether those were different bells from wedding bells, or only sounded dismal in the fancies of the living. Finding that his new acquaintance was not very well informed on the subject of the Curfew Bell of ancient days, Paul gave him an account of that institution; and also asked him, as a practical man, what he thought about King Alfred's idea of measuring time by the burning of candles; to which the workman replied, that he thought it would be the ruin of the clock trade if it was to come up again. In fine, Paul looked on, until the clock had quite recovered its familiar aspect, and resumed its sedate inquiry; when the workman, putting away his tools in a long basket, bade him good day, and went away. Though not before he had whispered something, on the door-mat, to the footman, in which there was the phrase 'old-fashioned' - for Paul heard it. What could that old fashion be, that seemed to make the people sorry! What could it be!

Having nothing to learn now, he thought of this frequently; though not so often as he might have done, if he had had fewer things to think of. But he had a great many; and was always thinking, all day long.

First, there was Florence coming to the party. Florence would see that the boys were fond of him; and that would make her happy. This was his great theme. Let Florence once be sure that they were gentle and good to him, and that he had become a little favourite among them, and then the would always think of the time he had passed there, without being very sorry. Florence might be all the happier too for that, perhaps, when he came back.

When he came back! Fifty times a day, his noiseless little feet went up the stairs to his own room, as he collected every book, and scrap, and trifle that belonged to him, and put them all together there, down to the minutest thing, for taking home! There was no shade of coming back on little Paul; no preparation for it, or other reference to it, grew out of anything he thought or did, except this slight one in connexion with his sister. On the contrary, he had to think of everything familiar to him, in his contemplative moods and in his wanderings about the house, as being to be parted with; and hence the many things he had to think of, all day long.

He had to peep into those rooms upstairs, and think how solitary they would be when he was gone, and wonder through how many silent days, weeks, months, and years, they would continue just as grave and undisturbed. He had to think - would any other child (old-fashioned, like himself stray there at any time, to whom the same grotesque distortions of pattern and furniture would manifest themselves; and would anybody tell that boy of little Dombey, who had been there once? He had to think of a portrait on the stairs, which always looked earnestly after him as he went away, eyeing it over his shoulder; and which, when he passed it in the company of anyone, still seemed to gaze at him, and not at his companion.