Let me be calmer yet; I would be calm as coffins. You have published a letter from one whose likeness is engraved, but whose name (and wherefore?) is suppressed. Shall I breathe that name! Is it - but why ask when my heart tells me too truly that it is!

I would not upbraid him with his treachery; I would not remind him of those times when he plighted the most eloquent of vows, and procured from me a small pecuniary accommodation; and yet I would see him - see him did I say - HIM - alas! such is woman's nature. For as the poet beautifully says - but you will already have anticipated the sentiment. Is it not sweet? O yes!

It was in this city (hallowed by the recollection) that I met him first; and assuredly if mortal happiness be recorded anywhere, then those rubbers with their three-and-sixpenny points are scored on tablets of celestial brass. He always held an honour - generally two. On that eventful night we stood at eight. He raised his eyes (luminous in their seductive sweetness) to my agitated face. 'CAN you?' said he, with peculiar meaning. I felt the gentle pressure of his foot on mine; our corns throbbed in unison. 'CAN you?' he said again; and every lineament of his expressive countenance added the words 'resist me?' I murmured 'No,' and fainted.

They said, when I recovered, it was the weather. I said it was the nutmeg in the negus. How little did they suspect the truth! How little did they guess the deep mysterious meaning of that inquiry! He called next morning on his knees; I do not mean to say that he actually came in that position to the house-door, but that he went down upon those joints directly the servant had retired. He brought some verses in his hat, which he said were original, but which I have since found were Milton's; likewise a little bottle labelled laudanum; also a pistol and a sword-stick. He drew the latter, uncorked the former, and clicked the trigger of the pocket fire-arm. He had come, he said, to conquer or to die. He did not die. He wrested from me an avowal of my love, and let off the pistol out of a back window previous to partaking of a slight repast.

Faithless, inconstant man! How many ages seem to have elapsed since his unaccountable and perfidious disappearance! Could I still forgive him both that and the borrowed lucre that he promised to pay next week! Could I spurn him from my feet if he approached in penitence, and with a matrimonial object! Would the blandishing enchanter still weave his spells around me, or should I burst them all and turn away in coldness! I dare not trust my weakness with the thought.

My brain is in a whirl again. You know his address, his occupations, his mode of life, - are acquainted, perhaps, with his inmost thoughts. You are a humane and philanthropic character; reveal all you know - all; but especially the street and number of his lodgings. The post is departing, the bellman rings, - pray Heaven it be not the knell of love and hope to


P.S. Pardon the wanderings of a bad pen and a distracted mind. Address to the Post-office. The bellman, rendered impatient by delay, is ringing dreadfully in the passage.

P.P.S. I open this to say that the bellman is gone, and that you must not expect it till the next post; so don't be surprised when you don't get it.

Master Humphrey does not feel himself at liberty to furnish his fair correspondent with the address of the gentleman in question, but he publishes her letter as a public appeal to his faith and gallantry.


WHEN I am in a thoughtful mood, I often succeed in diverting the current of some mournful reflections, by conjuring up a number of fanciful associations with the objects that surround me, and dwelling upon the scenes and characters they suggest.

I have been led by this habit to assign to every room in my house and every old staring portrait on its walls a separate interest of its own. Thus, I am persuaded that a stately dame, terrible to behold in her rigid modesty, who hangs above the chimney-piece of my bedroom, is the former lady of the mansion.

Charles Dickens
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