Charles Dickens

Mr Venus, always in exceedingly low spirits and making whimpering sounds, peers about for the stuffed canary. On his taking the candle to assist his search, Mr Wegg observes that he has a convenient little shelf near his knees, exclusively appropriated to skeleton hands, which have very much the appearance of wanting to lay hold of him. From these Mr Venus rescues the canary in a glass case, and shows it to the boy.

'There!' he whimpers. 'There's animation! On a twig, making up his mind to hop! Take care of him; he's a lovely specimen.--And three is four.'

The boy gathers up his change and has pulled the door open by a leather strap nailed to it for the purpose, when Venus cries out:

'Stop him! Come back, you young villain! You've got a tooth among them halfpence.'

'How was I to know I'd got it? You giv it me. I don't want none of your teeth; I've got enough of my own.' So the boy pipes, as he selects it from his change, and throws it on the counter.

'Don't sauce ME, in the wicious pride of your youth,' Mr Venus retorts pathetically.' Don't hit ME because you see I'm down. I'm low enough without that. It dropped into the till, I suppose. They drop into everything. There was two in the coffee-pot at breakfast time. Molars.'

'Very well, then,' argues the boy, 'what do you call names for?'

To which Mr Venus only replies, shaking his shock of dusty hair, and winking his weak eyes, 'Don't sauce ME, in the wicious pride of your youth; don't hit ME, because you see I'm down. You've no idea how small you'd come out, if I had the articulating of you.'

This consideration seems to have its effect on the boy, for he goes out grumbling.

'Oh dear me, dear me!' sighs Mr Venus, heavily, snuffing the candle, 'the world that appeared so flowery has ceased to blow! You're casting your eye round the shop, Mr Wegg. Let me show you a light. My working bench. My young man's bench. A Wice. Tools. Bones, warious. Skulls, warious. Preserved Indian baby. African ditto. Bottled preparations, warious. Everything within reach of your hand, in good preservation. The mouldy ones a-top. What's in those hampers over them again, I don't quite remember. Say, human warious. Cats. Articulated English baby. Dogs. Ducks. Glass eyes, warious. Mummied bird. Dried cuticle, warious. Oh, dear me! That's the general panoramic view.'

Having so held and waved the candle as that all these heterogeneous objects seemed to come forward obediently when they were named, and then retire again, Mr Venus despondently repeats, 'Oh dear me, dear me!' resumes his seat, and with drooping despondency upon him, falls to pouring himself out more tea.

'Where am I?' asks Mr Wegg.

'You're somewhere in the back shop across the yard, sir; and speaking quite candidly, I wish I'd never bought you of the Hospital Porter.'

'Now, look here, what did you give for me?'

'Well,' replies Venus, blowing his tea: his head and face peering out of the darkness, over the smoke of it, as if he were modernizing the old original rise in his family: 'you were one of a warious lot, and I don't know.'

Silas puts his point in the improved form of 'What will you take for me?'

'Well,' replies Venus, still blowing his tea, 'I'm not prepared, at a moment's notice, to tell you, Mr Wegg.'

'Come! According to your own account I'm not worth much,' Wegg reasons persuasively.

'Not for miscellaneous working in, I grant you, Mr Wegg; but you might turn out valuable yet, as a--' here Mr Venus takes a gulp of tea, so hot that it makes him choke, and sets his weak eyes watering; 'as a Monstrosity, if you'll excuse me.'

Repressing an indignant look, indicative of anything but a disposition to excuse him, Silas pursues his point.

'I think you know me, Mr Venus, and I think you know I never bargain.'

Mr Venus takes gulps of hot tea, shutting his eyes at every gulp, and opening them again in a spasmodic manner; but does not commit himself to assent.

'I have a prospect of getting on in life and elevating myself by my own independent exertions,' says Wegg, feelingly, 'and I shouldn't like--I tell you openly I should NOT like--under such circumstances, to be what I may call dispersed, a part of me here, and a part of me there, but should wish to collect myself like a genteel person.'

'It's a prospect at present, is it, Mr Wegg? Then you haven't got the money for a deal about you? Then I'll tell you what I'll do with you; I'll hold you over.