Charles Dickens

I little thought, that day, that I should ever come to have an attachment for the very stones in the streets of Genoa, and to look back upon the city with affection as connected with many hours of happiness and quiet! But these are my first impressions honestly set down; and how they changed, I will set down too. At present, let us breathe after this long-winded journey.

CHAPTER IV--GENOA AND ITS NEIGHBOURHOOD

The first impressions of such a place as ALBARO, the suburb of Genoa, where I am now, as my American friends would say, 'located,' can hardly fail, I should imagine, to be mournful and disappointing. It requires a little time and use to overcome the feeling of depression consequent, at first, on so much ruin and neglect. Novelty, pleasant to most people, is particularly delightful, I think, to me. I am not easily dispirited when I have the means of pursuing my own fancies and occupations; and I believe I have some natural aptitude for accommodating myself to circumstances. But, as yet, I stroll about here, in all the holes and corners of the neighbourhood, in a perpetual state of forlorn surprise; and returning to my villa: the Villa Bagnerello (it sounds romantic, but Signor Bagnerello is a butcher hard by): have sufficient occupation in pondering over my new experiences, and comparing them, very much to my own amusement, with my expectations, until I wander out again.

The Villa Bagnerello: or the Pink Jail, a far more expressive name for the mansion: is in one of the most splendid situations imaginable. The noble bay of Genoa, with the deep blue Mediterranean, lies stretched out near at hand; monstrous old desolate houses and palaces are dotted all about; lofty hills, with their tops often hidden in the clouds, and with strong forts perched high up on their craggy sides, are close upon the left; and in front, stretching from the walls of the house, down to a ruined chapel which stands upon the bold and picturesque rocks on the sea- shore, are green vineyards, where you may wander all day long in partial shade, through interminable vistas of grapes, trained on a rough trellis-work across the narrow paths.

This sequestered spot is approached by lanes so very narrow, that when we arrived at the Custom-house, we found the people here had TAKEN THE MEASURE of the narrowest among them, and were waiting to apply it to the carriage; which ceremony was gravely performed in the street, while we all stood by in breathless suspense. It was found to be a very tight fit, but just a possibility, and no more-- as I am reminded every day, by the sight of various large holes which it punched in the walls on either side as it came along. We are more fortunate, I am told, than an old lady, who took a house in these parts not long ago, and who stuck fast in HER carriage in a lane; and as it was impossible to open one of the doors, she was obliged to submit to the indignity of being hauled through one of the little front windows, like a harlequin.

When you have got through these narrow lanes, you come to an archway, imperfectly stopped up by a rusty old gate--my gate. The rusty old gate has a bell to correspond, which you ring as long as you like, and which nobody answers, as it has no connection whatever with the house. But there is a rusty old knocker, too-- very loose, so that it slides round when you touch it--and if you learn the trick of it, and knock long enough, somebody comes. The brave Courier comes, and gives you admittance. You walk into a seedy little garden, all wild and weedy, from which the vineyard opens; cross it, enter a square hall like a cellar, walk up a cracked marble staircase, and pass into a most enormous room with a vaulted roof and whitewashed walls: not unlike a great Methodist chapel. This is the sala. It has five windows and five doors, and is decorated with pictures which would gladden the heart of one of those picture-cleaners in London who hang up, as a sign, a picture divided, like death and the lady, at the top of the old ballad: which always leaves you in a state of uncertainty whether the ingenious professor has cleaned one half, or dirtied the other. The furniture of this sala is a sort of red brocade.