Charles Dickens

I strongly question the expediency of advocating the revival of whipping for those crimes. It is a natural and generous impulse to be indignant at the perpetration of inconceivable brutality, but I doubt the whipping panacea gravely. Not in the least regard or pity for the criminal, whom I hold in far lower estimation than a mad wolf, but in consideration for the general tone and feeling, which is very much improved since the whipping times. It is bad for a people to be familiarised with such punishments. When the whip went out of Bridewell, and ceased to be flourished at the carts tail and at the whipping-post, it began to fade out of madhouses, and workhouses, and schools and families, and to give place to a better system everywhere, than cruel driving. It would be hasty, because a few brutes may be inadequately punished, to revive, in any aspect, what, in so many aspects, society is hardly yet happily rid of. The whip is a very contagious kind of thing, and difficult to confine within one set of bounds. Utterly abolish punishment by fine - a barbarous device, quite as much out of date as wager by battle, but particularly connected in the vulgar mind with this class of offence - at least quadruple the term of imprisonment for aggravated assaults - and above all let us, in such cases, have no Pet Prisoning, vain glorifying, strong soup, and roasted meats, but hard work, and one unchanging and uncompromising dietary of bread and water, well or ill; and we shall do much better than by going down into the dark to grope for the whip among the rusty fragments of the rack, and the branding iron, and the chains and gibbet from the public roads, and the weights that pressed men to death in the cells of Newgate.

I had proceeded thus far, when I found I had been lying awake so long that the very dead began to wake too, and to crowd into my thoughts most sorrowfully. Therefore, I resolved to lie awake no more, but to get up and go out for a night walk - which resolution was an acceptable relief to me, as I dare say it may prove now to a great many more.

THE GHOST OF ART

I AM a bachelor, residing in rather a dreary set of chambers in the Temple. They are situated in a square court of high houses, which would be a complete well, but for the want of water and the absence of a bucket. I live at the top of the house, among the tiles and sparrows. Like the little man in the nursery-story, I live by myself, and all the bread and cheese I get - which is not much - I put upon a shelf. I need scarcely add, perhaps, that I am in love, and that the father of my charming Julia objects to our union.

I mention these little particulars as I might deliver a letter of introduction. The reader is now acquainted with me, and perhaps will condescend to listen to my narrative.

I am naturally of a dreamy turn of mind; and my abundant leisure - for I am called to the Bar - coupled with much lonely listening to the twittering of sparrows, and the pattering of rain, has encouraged that disposition. In my 'top set' I hear the wind howl on a winter night, when the man on the ground floor believes it is perfectly still weather. The dim lamps with which our Honourable Society (supposed to be as yet unconscious of the new discovery called Gas) make the horrors of the staircase visible, deepen the gloom which generally settles on my soul when I go home at night.

I am in the Law, but not of it. I can't exactly make out what it means. I sit in Westminster Hall sometimes (in character) from ten to four; and when I go out of Court, I don't know whether I am standing on my wig or my boots.

It appears to me (I mention this in confidence) as if there were too much talk and too much law - as if some grains of truth were started overboard into a tempestuous sea of chaff.

All this may make me mystical. Still, I am confident that what I am going to describe myself as having seen and heard, I actually did see and hear.

It is necessary that I should observe that I have a great delight in pictures.