Tiresome old burying-grounds! Isises, and Ibises, and Cheopses, and Pharaohses; who cares about them? And then there was Belzoni, or somebody, dragged out by the legs, half-choked with bats and dust. All the girls say: Serve him right, and hope it hurt him, and wish he had been quite choked.'
The two youthful figures, side by side, but not now arm-in-arm, wander discontentedly about the old Close; and each sometimes stops and slowly imprints a deeper footstep in the fallen leaves.
'Well!' says Edwin, after a lengthy silence. 'According to custom. We can't get on, Rosa.'
Rosa tosses her head, and says she don't want to get on.
'That's a pretty sentiment, Rosa, considering.'
'If I say what, you'll go wrong again.'
'YOU'LL go wrong, you mean, Eddy. Don't be ungenerous.'
'Ungenerous! I like that!'
'Then I DON'T like that, and so I tell you plainly,' Rosa pouts.
'Now, Rosa, I put it to you. Who disparaged my profession, my destination--'
'You are not going to be buried in the Pyramids, I hope?' she interrupts, arching her delicate eyebrows. 'You never said you were. If you are, why haven't you mentioned it to me? I can't find out your plans by instinct.'
'Now, Rosa, you know very well what I mean, my dear.'
'Well then, why did you begin with your detestable red-nosed giantesses? And she would, she would, she would, she would, she WOULD powder it!' cries Rosa, in a little burst of comical contradictory spleen.
'Somehow or other, I never can come right in these discussions,' says Edwin, sighing and becoming resigned.
'How is it possible, sir, that you ever can come right when you're always wrong? And as to Belzoni, I suppose he's dead;--I'm sure I hope he is--and how can his legs or his chokes concern you?'
'It is nearly time for your return, Rosa. We have not had a very happy walk, have we?'
'A happy walk? A detestably unhappy walk, sir. If I go up-stairs the moment I get in and cry till I can't take my dancing lesson, you are responsible, mind!'
'Let us be friends, Rosa.'
'Ah!' cries Rosa, shaking her head and bursting into real tears, 'I wish we COULD be friends! It's because we can't be friends, that we try one another so. I am a young little thing, Eddy, to have an old heartache; but I really, really have, sometimes. Don't be angry. I know you have one yourself too often. We should both of us have done better, if What is to be had been left What might have been. I am quite a little serious thing now, and not teasing you. Let each of us forbear, this one time, on our own account, and on the other's!'
Disarmed by this glimpse of a woman's nature in the spoilt child, though for an instant disposed to resent it as seeming to involve the enforced infliction of himself upon her, Edwin Drood stands watching her as she childishly cries and sobs, with both hands to the handkerchief at her eyes, and then--she becoming more composed, and indeed beginning in her young inconstancy to laugh at herself for having been so moved--leads her to a seat hard by, under the elm-trees.
'One clear word of understanding, Pussy dear. I am not clever out of my own line--now I come to think of it, I don't know that I am particularly clever in it--but I want to do right. There is not-- there may be--I really don't see my way to what I want to say, but I must say it before we part--there is not any other young--'
'O no, Eddy! It's generous of you to ask me; but no, no, no!'
They have come very near to the Cathedral windows, and at this moment the organ and the choir sound out sublimely. As they sit listening to the solemn swell, the confidence of last night rises in young Edwin Drood's mind, and he thinks how unlike this music is to that discordance.
'I fancy I can distinguish Jack's voice,' is his remark in a low tone in connection with the train of thought.
'Take me back at once, please,' urges his Affianced, quickly laying her light hand upon his wrist. 'They will all be coming out directly; let us get away.