They were as various as labourers--high-shouldered, wry-necked, one-eyed, goggle- eyed, squinting, bow-legged, knock-knee'd, rheumatic, crazy. Some of the small tradesmen's houses, such as the crockery-shop and the harness-maker, had a Cyclops window in the middle of the gable, within an inch or two of its apex, suggesting that some forlorn rural Prentice must wriggle himself into that apartment horizontally, when he retired to rest, after the manner of the worm. So bountiful in its abundance was the surrounding country, and so lean and scant the village, that one might have thought the village had sown and planted everything it once possessed, to convert the same into crops. This would account for the bareness of the little shops, the bareness of the few boards and trestles designed for market purposes in a corner of the street, the bareness of the obsolete Inn and Inn Yard, with the ominous inscription "Excise Office" not yet faded out from the gateway, as indicating the very last thing that poverty could get rid of. This would also account for the determined abandonment of the village by one stray dog, fast lessening in the perspective where the white posts and the pond were, and would explain his conduct on the hypothesis that he was going (through the act of suicide) to convert himself into manure, and become a part proprietor in turnips or mangold-wurzel.

Mr. Traveller having finished his breakfast and paid his moderate score, walked out to the threshold of the Peal of Bells, and, thence directed by the pointing finger of his host, betook himself towards the ruined hermitage of Mr. Mopes the hermit.

For, Mr. Mopes, by suffering everything about him to go to ruin, and by dressing himself in a blanket and skewer, and by steeping himself in soot and grease and other nastiness, had acquired great renown in all that country-side--far greater renown than he could ever have won for himself, if his career had been that of any ordinary Christian, or decent Hottentot. He had even blanketed and skewered and sooted and greased himself, into the London papers. And it was curious to find, as Mr. Traveller found by stopping for a new direction at this farm-house or at that cottage as he went along, with how much accuracy the morbid Mopes had counted on the weakness of his neighbours to embellish him. A mist of home-brewed marvel and romance surrounded Mopes, in which (as in all fogs) the real proportions of the real object were extravagantly heightened. He had murdered his beautiful beloved in a fit of jealousy and was doing penance; he had made a vow under the influence of grief; he had made a vow under the influence of a fatal accident; he had made a vow under the influence of religion; he had made a vow under the influence of drink; he had made a vow under the influence of disappointment; he had never made any vow, but "had got led into it" by the possession of a mighty and most awful secret; he was enormously rich, he was stupendously charitable, he was profoundly learned, he saw spectres, he knew and could do all kinds of wonders. Some said he went out every night, and was met by terrified wayfarers stalking along dark roads, others said he never went out, some knew his penance to be nearly expired, others had positive information that his seclusion was not a penance at all, and would never expire but with himself. Even, as to the easy facts of how old he was, or how long he had held verminous occupation of his blanket and skewer, no consistent information was to be got, from those who must know if they would. He was represented as being all the ages between five-and-twenty and sixty, and as having been a hermit seven years, twelve, twenty, thirty,--though twenty, on the whole, appeared the favourite term.

"Well, well!" said Mr. Traveller. "At any rate, let us see what a real live Hermit looks like."

So, Mr. Traveller went on, and on, and on, until he came to Tom Tiddler's Ground.

It was a nook in a rustic by-road, which the genius of Mopes had laid waste as completely, as if he had been born an Emperor and a Conqueror.

Charles Dickens
Classic Literature Library
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